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SDG

Vader maak ons één. Father make us one. Arrangement: Gertim

SDG

0:42	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		15	0	3	3	100%
Soprano/Alto		12	0	1	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		15	0	3	3	100%
Soprano/Alto		12	0	1	5	100%
Tenor/Bass		15	0	2	6	100%
Violoncello		15	0	3	3	50%

286. O Mensch, bewein' dein Sünde gross. BWV 402. Johann Sebastian Bach.

SDG

1:22	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		24	0	8	4	100%
Contrabass		19	0	7	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		24	0	8	4	100%
Contrabass		19	0	7	3	50%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
Violoncello		18	0	5	2	100%
Timpani		2	0	0	4	76%
Soprano/Alto		9	0	2	3	63%
Tenor/Bass		17	0	2	4	63%
Flute		7	0	1	3	55%
		7	0	1	3	55%
Oboe		7	0	1	3	55%
		7	0	1	3	55%
Violin		6	0	1	2	35%
		7	0	1	3	55%
Soprano		7	0	1	3	55%
Viola		7	0	1	4	55%

31. Aus tiefer Noth schrei ich zu dir, BWV 38 #6, Chorale, Martin Luther.

SDG

1:00	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
		21	0	4	3	100%
		21	0	4	3	100%
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		21	0	4	3	100%
Contrabass		15	0	2	3	53%

Het is volbracht! (variant III). Own composition.

SDG

0:45	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	3	3	100%
		17	0	2	3	100%
Contrabass		12	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	3	3	100%
		17	0	2	3	100%
Contrabass		12	0	1	3	50%

43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.

SDG

1:03	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	6	3	100%
Contrabass		16	0	3	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	6	3	100%
Contrabass		16	0	3	2	50%

18. Es glänzet der Christen inwendiges Leben. BWV 456.

SDG

1:40	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	6	97%
Tenor/Bass		18	0	4	6	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	6	97%
Tenor/Bass		18	0	4	6	97%
Contrabass		18	0	3	3	50%
Violoncello		18	0	3	3	50%

35. Christe, du Beistand deiner Kreuzgemeinde. BWV 275. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		21	0	6	5	100%
Contrabass		11	0	3	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		21	0	6	5	100%
Contrabass		11	0	3	3	50%

34. Christe, der du bist Tag und Licht. BWV 274. Johann Sebastian Bach.

SDG

0:25	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	2	4	100%
Tenor/Bass		17	0	3	4	100%
Contrabass		11	0	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	2	4	100%
Tenor/Bass		17	0	3	4	100%
Contrabass		11	0	2	3	50%

3. Ach Gott und Herr, BWV 255.

SDG

0:25	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		18	0	3	2	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		18	0	3	2	100%
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		18	0	3	2	100%
Contrabass		13	0	2	2	50%

45. Christ, unser Herr, zum Jordan kam. BWV 176.6. Johann Sebastian Bach.

SDG

0:56	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		22	0	7	3	100%
Contrabass		16	0	4	2	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		22	0	7	3	100%
Contrabass		16	0	4	2	53%

5. Ach Gott, vom Himmel sieh' darein, Schau lieber Gott, BWV 153 #1, Denicke, Bach.

SDG

0:45	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		14	0	3	4	100%
		18	0	6	3	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		14	0	3	4	100%
		18	0	6	3	100%
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		18	0	6	3	100%
Contrabass		14	0	4	3	50%

51. Christus ist erstanden, hat überwunden. BWV 284. J.S. Bach, Michael Weisse.

SDG

0:44	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	4	4	100%
Tenor/Bass		19	0	5	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	4	4	100%
Tenor/Bass		19	0	5	5	100%
Contrabass		14	0	4	3	50%
Alto		2	0	1	1	13%
Bass		2	0	1	1	7%

11. Ach wie flüchtig, ach wie nichtig, BWV 26.6

SDG

0:32	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		15	0	4	3	100%
		15	0	4	3	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		15	0	4	3	100%
		15	0	4	3	100%
		26	0	8	3	100%
		26	0	8	3	100%
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		26	0	8	3	100%
Contrabass		21	0	6	3	50%

74. Ein' feste Burg ist unser Gott. J.S. Bach. Luther. B.A. 39. No 49. BWV 302.

SDG

0:59	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	4	100%
		13	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	4	100%
		13	0	2	4	100%
		18	0	3	5	100%
		18	0	3	5	100%
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		18	0	3	5	100%
Contrabass		14	0	1	3	50%

37. Christ ist erstanden (Alleluja). BWV 66.6

SDG

0:28	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		16	0	3	3	100%
Contrabass		13	0	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		16	0	3	3	100%
Contrabass		13	0	2	3	50%

De Heer is mijn Herder! 'k Heb al wat mij lust, J.G. Bastiaans.

SDG

0:33	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		9	0	0	3	100%
Tenor/Bass		15	0	2	3	100%
Contrabass		10	0	0	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		9	0	0	3	100%
Tenor/Bass		15	0	2	3	100%
Contrabass		10	0	0	3	50%

23. An Wasserflüssen Babylon. BWV 267. Johann Sebastian Bach.

SDG

1:11	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	4	100%
Tenor/Bass		19	0	5	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	4	100%
Tenor/Bass		19	0	5	4	100%
Contrabass		17	0	4	3	50%
Tenor		2	0	0	2	4%

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